Monday, 29 September 2014

Cubism



Cubism Essay – Paul Cezanne and Georges Braque


Cubism was one of the most significant art movements of the twentieth century, which was well known for its abstract style. Cubism went through four different phases; therefore I have chosen two artists that work in the style of cubism, but in different phases to show how they differ.


The first artist is Paul Cezanne, who was a French artist that worked in the style of impressionism, and then moved onto the movement of Cubism. He was born in 1839, and died in 1906. Cezanne was known to be one of the main inspirations for the Cubism movement.
https://4.bp.blogspot.com/-Z6QPxDW6xak/VCVNMWXoLNI/AAAAAAAAAO8/3QBYEKxNEt8/s1600/paul.jpgThis painting is called 'Bibemus Quarry', which was done in 1895. The medium is oil on canvas.


Cezanne was known for wanting to abandon the idea of traditional perspective drawing, and instead create illusion of depth. He liked to contrast the areas in his paintings by flattening the space, in order to emphasis on their surface. This then illustrates the difference between his paintings and the reality. Paul Cezanne saw painting in a far more abstract way, which was very influential in the art movement.


My second artist is Georges Braque, who was also a French artist. He was born in 1882, and died 1963. His work was greatly influenced from Cezanne’s Cubism work; we see a great resemblance to this especially in 1907-8.


https://2.bp.blogspot.com/-lAlOyysrhXU/VCVNOH7OL3I/AAAAAAAAAPE/fcuaueP_eVw/s1600/braque.jpg
However, Braque and Picasso both agreed that they thought Cubism should not be abstract. He worked in the Analytical Cubism phase which began in 1907. In this style, artists would study the subject and break it up into different blocks, and view them from a range angles.


This is an early example of Analytical Cubism. This painting is called ‘Violin and Candlestick’ which was done in 1910. The medium is oil on canvas, and the sizing is 61 x 50cm. In the painting you can see the broken up pieces of the violin and the candlestick. The various angles and blocks of the objects are presented to the viewer. Braque said that this style allowed the viewer to "get closer to the object."


Overall, I do not immediately love the work from the Cubism art movement, however, I do find it interesting how the artists have changed the traditional ways, and have experimented with angles and scale to make each image unique.


 


 


 

Essay on Joan Eardley and Girhard Richter's Work


Art Essay - Joan Kathleen Harding Eardley & Girhard Richter



Joan Eardley (1921 – 1963) was an English painter and was known for painting very powerful seaside views and landscapes. The expressive brushwork and thick paint which she used conveyed the force of the sea and wind. Joan Eardley was not influenced by any specific artists but in some of her early chalk and charcoal sketches, you can see the influence of Van Gogh. She then moved her style into Expressionism.

"July Fields" (nd, oil on canvas)
by Joan EardleyEardley has many expressive and inspiring paintings; I feel piece is a good representation of her style of work. The painting is called ‘July Fields’ it is 53 x 61 cms, and is oil on canvas. The viewpoint of this painting is looking from ground level. Here we can see she has focused on the close up of the plants and fence at the front left of the painting, which is the main focal point. This was the first painting I seen by Joan Eardley which caught my eye because of the sketchy technique she uses to apply the paint. Eardley liked to immerse herself in her subject, making the direct connection with the landscape, making it seem almost realistic when real grass and seed heads and included along with the application of the paint. These plants would of been picked from the actual spot where she was painting, which gives the painting more texture as well as helping her capture the atmosphere and mood of the area; she used this technique of collage in many of her later works which I think is unique and inspiring for other artists.

The reason I like her work is because all of her paintings are so expressively painted and have so much energy. Every painting has something different in it, whether it is a collage; or a range of textures, achieved by applying paint with either a palette knife or with different brush strokes. All of these aspects that she has used help to portray a different mood in each piece of artwork. Most of her work was done quickly, and are mostly done on the spot. This is another reason why I like her work because she is able to capture the scene and gives you the feeling of what it would be like to be there, and I feel she achieves this very well.

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The second artist I would like to talk about it is Girhard Richter; a German painter who was born in 1932. I was instantly interested in his work as soon as I seen his over painted photographs. The reason I loved this work was because this mixed media painting technique allows for experimentation, its unique and the outcome is also amazing.

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjao2XAtzrDfMqwHQoX9TV55SPlYQhepFyR7wytz55NiRi5O-D_ZQ-B8Y-oNMkAWFhPrEY95_CJN4zmKTZWzu95JzwTJKSq2n5_Dvn17e7MTUd2rH1_6QaHIev7RlUe-Zsb7jUo0bFB9yM/s640/7156.jpgRichter uses a range of techniques to apply the paint onto the photographs but is usually achieved by dragging the paint with a large board across the photograph. This bold use of paint results in a successful smearing effect of the different colours, as well as creating different textures.

Also by doing this, Richter is changing the mood in the initial photograph, and creating his own interpretation on it. He is able to make something which was once flat and boring, and produce an exciting and distinctive piece of art work, which I think is inspiring and uplifting to look at.
Richter uses a variety of photographs, ranging from landscapes to family photos, showing how diverse this painting technique can be. This modern artwork style is based on a process of trial and error, which Richter tests the relationship between the paint and photographs, to create something beautiful, or sometimes disturbing to look at.